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Sunday, December 31, 2017

Happy New Year 2018 ♫ ♪ Johann Strauss ♪♫ ♪

♫ ♪πŸŽ† ♪♫ Happy New Year !♫ ♪πŸŽ†♪♫
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♫ ♪♫ ♪♫ Johann Strauss ♫ ♪♫ ♪♫
The Blue Danube
πŸŽ† πŸŽ‡ πŸŽ‡ πŸŽ†

πŸŽ„ ❄ πŸŽ„ ☃️ πŸŽ„ 🎁 😊 🌟 πŸŽ† πŸŽ‡ πŸŽ… πŸŽ„
🌟New Year's Concert 🌟
πŸŽ‡Happy New YearπŸŽ† https://78.media.tumblr.com/4e0a600a2e14271c18161f8088815d76/tumblr_p1sd9uJz5H1v3adc7o2_1280.gif https://78.media.tumblr.com/e5822c9dd31819e28c7844e048030845/tumblr_p1sd9uJz5H1v3adc7o4_r1_500.gifhttps://78.media.tumblr.com/e5822c9dd31819e28c7844e048030845/tumblr_p1sd9uJz5H1v3adc7o4_r1_500.gifhttps://78.media.tumblr.com/e5822c9dd31819e28c7844e048030845/tumblr_p1sd9uJz5H1v3adc7o4_r1_500.gif
πŸŽ„ ❄ πŸŽ„ ☃️ πŸŽ„ 🎁 😊 🌟 πŸŽ† πŸŽ‡ πŸŽ… πŸŽ„
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Saturday, December 30, 2017

Midnight Run in Central Park

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NYRR  New York City
4 Miles
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Run around Central Park at midnight with like-minded revelers, while fireworks explode overhead. The NYRR Midnight Run is typically populated with costumed and, presumably, not-entirely sober runners, but there is a competitive contingent as well, with prize money for the top three men and women. 
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Kick off the new year at the NYRR Midnight Run! Join the fun and celebrate with music and dancing (starting at 10:00 p.m.) as 2017 comes to a close. 
With a countdown to midnight beginning at 11:59 p.m., the four-mile run will start on the stroke of midnight, as will a spectacular fireworks display to light up the night and the start of 2018.
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Pre-Race Festival
The fun begins at 10:00 p.m. with a rockin’ dance party at Rumsey Playfield for runners and their guests. Stop by our face painting station to add a finishing touch to your festive look, then add your New Year’s resolution to our Resolution Wall for all to see.
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Location and Entry - View Map of the start area.
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In compliance with NYPD security plans, the start area and Pre-Race Festival, located at Rumsey Playfield in Central Park, will be open to registered runners and their guests only; these areas will not be open to the general public. To access these areas, runners and their guests must enter the park at West 72nd Street and Central Park West or East 72nd Street and Fifth Avenue in order to go through security screening. Runners attempting to use other park entrances will experience delays in getting to the start and risk not starting the race on time. 
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Each runner will be permitted one guest and receive a wristband at number pickup to give to their guest. Guests must display a wristband and runners must display a bib for entry into the park at 72nd Street and into the Pre-Race Festival and start area.
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The general public may still view fireworks from south of 69th Street inside the park, and will be subject to security screening at any park entrance south of the entrances at 72nd Street.
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Why Were So Many Christmas Songs ♫ πŸŽ„By Jewish Musicians ♪ πŸŽ…♫ Part I

Why Were So Many Beloved
Christmas Songs
Written By Jewish Musicians?
Part I
Lauren Markoe
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Christians don’t seem to mind that so many beloved Christmas songs were written by Jews, and Jews tend to reel off the list with pride.
  1. Chestnuts Roasting on an Open Fire by Jay Livingston and Ray Evans.
  2. Silver Bells  by Jay Livingston and Ray Evans.
  3. I’ll Be Home for Christmas by the lyricist Kim Gannon and composer Walter Kent
  4. Santa Baby by Joan Javits and Philip Springer
  5. White Christmas - by Irving Berlin
  6. Let It Snow   by Jule Styne
  7. Rudolph the Red-Nosed Reindeer  by Robert L. May and Johnny Marks
Those not mentioned here could fill an album.

But why didn’t the Jews write any similarly iconic songs for their holiday that falls around Christmastime: Hanukkah, the Jewish Festival of Lights?

“I Have a Little Dreidl”? Great song..…  if you’re 4.

There are reasons that Jews are good at Christmas songs and why so many of these songs became so popular. And there are reasons why Jews didn’t write similarly catchy tunes for Hanukkah — or any other Jewish holiday.

But first, a little music history.
In the first half of the 20th century, Jews flocked to the music industry. It was one business where they didn’t face overwhelming anti-Semitism, said Michael Feinstein, the Emmy Award-winning interpreter of American musical standards.

“White Christmas,” written by Jewish lyricist Irving Berlin, topped the charts in 1942 and launched popular Christmas music, encouraging many others — Jews and non-Jews — to write more odes to the holiday.

And although celebrating the birth of Christ was not something these Jewish songwriters would want to do, they could feel comfortable composing more secular Christmas singles.

“The Christmas songs that are popular are not about Jesus, but they’re about sleigh bells and Santa and the trappings of Christmas,” Feinstein said. “They’re not religious songs.”
In their music and lyrics, Jews captured Christmas not only as a wonderful, wintry time for family gatherings, but also as an American holiday. 
What they drew on, said Rabbi Kenneth Kanter, an expert on Jews and popular culture at Hebrew Union College-Jewish Institute of Religion in Cincinnati, was their background as the children of European-born Jews, or as immigrants themselves, in the case of Russian-born Berlin and others.

Jewish songwriters’ own successful assimilation and gratitude to America pervades their mid-century Christmas and other songs, and appealed to a country that wanted to feel brave and united as it fought World War II.

“These songs made Christmas a kind of national celebration, almost a patriotic celebration,” Kanter said.

The irreligious nature of these Christmas songs may not sit well with pious Christians, said Feinstein, who is Jewish and who cut “A Michael Feinstein Christmas,” among many other albums. But they are now part of the fabric of our larger culture, he said, and “any singer who is a singer of the American songbook will sing Christmas songs,” said Feinstein. “We all sing them.”

Feinstein is in good Jewish company. Barbra Streisand made “A Christmas Album.” Neil Diamond cut not only “A Christmas Album,” but also “A Christmas Album, Volume II,” and then a “Cherry, Cherry Christmas.” This year, Idina Menzel, who started out singing at bar mitzvahs and is best-known as the strong, melodic voice in the hit movie “Frozen,” just came out with the very Christmas-y “Holiday Wishes.” This list is far from exhaustive.
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And How about Hanukkah Songs?
First, singers want an audience, and with Jews making up less than 2 percent of the U.S. population, and Christians nearly 80 percent, the natural market for Hanukkah tunes is relatively tiny. Though the story of Hanukkah is about religious freedom, a theme Americans can relate to, few know the tale of the ancient Maccabees — how they threw off their Hellenistic oppressors, and the drop of oil which miraculously lit their lamp for eight days.

Feinstein, who was raised in a Conservative synagogue in Columbus, Ohio, said many people have tried to get him to lend his voice to a Hanukkah song, but he’s just not that interested.

“They usually are in a minor key,” he said. “And there isn’t as much imagery that one can put into a Hanukkah song compared to Christmas.”

There are still plenty of tuneful and moving Hanukkah songs, some of them in major keys — the rousing “Al Hanisim,” for example. But many are written in languages other than English — Hebrew, Yiddish and Ladino — and aren’t going to get much airplay in the U.S.

But a growing body of Hanukkah music aims to break through the subdued and somber stereotype.
In 1982, for example, the folk trio Peter, Paul and Mary first performed “Light One Candle,” a social action song that invokes the Maccabees’ struggle.

The Jewish reggae star Matisyahu came out with “Miracle” in 2011. And the Maccabeats, an a capella group based at Yeshiva University, remade the pop song “Dynamite” into a 2010 Hanukkah hit called “Candlelight.”

And then there’s Kenny Ellis, the cantor at Temple Beth Ami in Santa Clarita, Calif., who is on a mission to convince Jews and non-Jews alike that Hanukkah songs can be a zippy part of the national songbook. Each Hanukkah, Ellis sings from his 2005 album, “Hanukkah Swings,” a big-band take on some of the most well-known Hanukkah songs, starting with “Swingin’ Dreidel.
To Ellis’ delight, Feinstein once sang “Swingin’ Dreidel” in his New York nightclub. It wouldn’t hurt if more Jewish singers tried a Hanukkah song or two, Ellis said. Maybe a whole album.

“I love all the Jewish performers that do Christmas albums,” Ellis said. “But what’s the big deal about doing a Hanukkah album? Does anyone think that if Barbra Streisand did a Hanukkah album, that her career would be finished?”

Jews are so good at writing and singing Christmas songs.
But we found at least one man who can make that dreidel song swing.
Lauren Markoe 

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Christmas Songs ♪ πŸŽ„ ♫ Written By Jewish Musicians ♪ πŸŽ…♫ 
Part II
http://paulcpw.blogspot.com/2017/12/christmas-songs-written-by-jewish.html


Christmas Songs ♪ πŸŽ„ ♫ Written By Jewish Musicians ♪ πŸŽ…♫ Part II


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Christmas Songs
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Written By Jewish Musicians
Part II
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 πŸŽ„  ✨  ❄️ ⛄️ 🌟 🎁 πŸŽ… ✨ 🎸 ♫ πŸŽ„
  1. Chestnuts Roasting on an Open Fire - by Bob Wells and Mel TormΓ©
  2. Silver Bells - by Jay Livingston and Ray Evans.
  3. I’ll Be Home for Christmas - by the lyricist Kim Gannon and composer Walter Kent
  4. Santa Baby - by Joan Javits and Philip Springer
  5. White Christmas - by Irving Berlin.
  6. Let It Snow - by Jule Styne
  7. Rudolph the Red-Nosed Reindeer - by Robert L. May and Johnny Marks
πŸŽ„  ✨  ❄️ ⛄️ 🌟 🎁 πŸŽ… ✨ 🎸 ♫ πŸŽ„
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Chestnuts Roasting on an Open Fire
by Bob Wells and Mel TormΓ©
"The Christmas Song" (commonly subtitled "Chestnuts Roasting on an Open Fire" or, as it was originally subtitled, "Merry Christmas to You") is a classic Christmas song written in 1945 by Bob Wells and Mel TormΓ©.  According to TormΓ©, the song was written during a blistering hot summer. In an effort to "stay cool by thinking cool", the most-performed (according to BMI) Christmas song was born. "I saw a spiral pad on his (Wells') piano with four lines written in pencil", TormΓ© recalled. "They started, 'Chestnuts roasting..., Jack Frost nipping..., Yuletide carols..., Folks dressed up like Eskimos.' Bob didn't think he was writing a song lyric. He said he thought if he could immerse himself in winter he could cool off. Forty minutes later that song was written. I wrote all the music and some of the lyrics."
The Nat King Cole Trio first recorded the song early in 1946. At Cole's behest – and over the objections of his label, Capitol Records – a second recording was made later the same year utilizing a small string section, this version becoming a massive hit on both the pop and R&B charts. Cole again recorded the song in 1953, using the same arrangement with a full orchestra arranged and conducted by Nelson Riddle, and once more in 1961, in a stereophonic version with orchestra conducted by Ralph Carmichael. Cole's 1961 version is generally regarded as definitive, and in 2004 was the most-loved seasonal song with women aged 30–49, while the original 1946 recording was inducted into the Grammy Hall of Fame in 1974

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Silver Bells
by Jay Livingston and Ray Evans
Bing Crosby

"Silver Bells" is a popular Christmas song, composed by Jay Livingston and Ray Evans.
"Silver Bells" was first performed by Bob Hope and Marilyn Maxwell in the motion picture The Lemon Drop Kid, filmed in July–August 1950 and released in March 1951. The first recorded version was by Bing Crosby and Carol Richards on September 8, 1950 with John Scott Trotter and his Orchestra and the Lee Gordon Singers which was released by Decca Records in October 1950. After the Crosby and Richards recording became popular, Hope and Maxwell were called back in late 1950 to refilm a more elaborate production of the song
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I’ll Be Home for Christmas
by the lyricist Kim Gannon and composer Walter Kent
🎸 🎢 🎸Elvis Presley 🎸🎢🎸
"I'll Be Home for Christmas" is a Christmas song written by the lyricist Kim Gannon and composer Walter Kent and recorded in 1943 by Bing Crosby, who scored a top ten hit with the song. Originally written to honor soldiers overseas who longed to be home at Christmastime, "I'll Be Home for Christmas" has since gone on to become a Christmas standard.


πŸŽ„πŸŽΆπŸŽΈ πŸŽ„πŸŽΆπŸŽΈ πŸŽ„🎢🎸 πŸŽ„🎢🎸 πŸŽ„
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πŸŽ…Santa BabyπŸŽ…
by Joan Javits and Philip Springer
Eartha Kitt

"Santa Baby" is a 1953 Christmas song written by Joan Javits (the niece of Senator Jacob K. Javits) and Philip Springer, sung originally by Eartha Kitt. The song is a tongue-in-cheek look at a Christmas list addressed to Santa Claus by a woman who wants extravagant gifts such as sables, yachts, and decorations from Tiffany's
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πŸŽ… 🎁 🎁 πŸŽ… 🎁 🎁 πŸŽ… 🎁 🎁 πŸŽ… 🎁 🎁 πŸŽ…
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 White Christmas
by Irving Berlin
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"White Christmas" is a 1942 Irving Berlin song reminiscing about an old-fashioned Christmas setting. The version sung by Bing Crosby is the world's best-selling single with estimated sales in excess of 100 million copies worldwide. Other versions of the song, along with Crosby's, have sold over 50 million copies

❄️  ❄️  ❄️  ❄️  ❄️  ❄️  ❄️  ❄️  ❄️  ❄️  ❄️  ❄️

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☃️ ❄️Let It Snow ❄️☃️
by Jule Styne
❄️Dean Martin ❄️
"Let It Snow! Let It Snow! Let It Snow!", also known as "Let It Snow", is a song written by lyricist Sammy Cahn and composer Jule Styne in July 1945. It was written in Hollywood, California during a heat wave as Cahn and Styne imagined cooler conditions. Although the song's lyrics make no mention of Christmas, it is played on radio stations during the Christmas season and is often covered by various artists on Christmas-themed albums.


❄ ❄ ❄ ❄ ❄ ❄ ❄ ❄ ❄  
☃️ ☃️❄ ❄ ☃️ ☃️❄ ❄  ☃️ ☃️

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Rudolph the Red-Nosed Reindeer
by Robert L. May and Johnny MarksGene Autry
Rudolph the Red-Nosed Reindeer, popularly known as "Santa's ninth reindeer", is a fabled reindeer created by Robert Lewis May. Rudolph is usually depicted as the lead reindeer pulling Santa's sleigh on Christmas Eve, though he is a young buck who has only adolescent antlers and a glowing red nose. Though he receives scrutiny for it, the luminosity of his nose is so great that it illuminates the team's path through harsh winter weather.
Johnny Marks, adapted the story of Rudolph into a song. Gene Autry's recording of the song hit No. 1 on the Billboard pop singles chart the week of Christmas 1949. Autry's recording sold 2.5 million copies the first year, eventually selling a total of 25 million, and it remained the second best-selling record of all time until the 1980s

 πŸŽ„  ✨  ❄️ ⛄️ 🌟 🎁 πŸŽ… ✨ 🎸 ♫ πŸŽ„
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 ♪♪ πŸŽ„ πŸŽ…❄️ 🎸⛄️ 🌟 ♪♪ 🌟   🎁 πŸŽ…  ✨ 🎢 🎁 🎸♪♪ 
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Why Were So Many Christmas Songs ♫ 
πŸŽ„By Jewish Musicians ♪ πŸŽ…♫ 
Part I
http://paulcpw.blogspot.com/2017/12/why-were-so-many-christmas-songs-by.html


πŸŽ„ πŸŽ„ πŸŽ„ πŸŽ„

Friday, December 29, 2017

Ice Bubble Magic ❄️❄️ ❣

Ice Bubble Magic
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❄️  ❄️  ❄️ ❄️

Freezing Soap Bubbles
At -15 Celsius
Warsaw

Music: "Ice Chimes" by Lee Rosevere (http://happypuppyrecords.ca)
❄️  ❄️  ❄️ ❄️
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Freezing Soap Bubble
This is a video of a soap bubble as it freezes in very cold weather.

❄️  ❄️  ❄️ ❄️ ❄️  ❄️  ❄️ ❄️
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❄️❄️❄️

Cookies

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